It overloads the eye whenever the red neon flashes on, diminishes the
viewer's memory traces, Memory vanishes, while looking at the
Eliminator. The viewer doesn't know what he is looking at, because he
has no surface space to fixate on; Light, mirror reflection, and
shadow fabricate the perceptual intake of the eyes. Unreality becomes
actual and solid.
The Eliminator is a clock that doesn't keep time, but loses it. The
intervals between the flashes of neon are "void intervals" or what
George Kubler calls, "the rupture between past and future." The
Eliminator orders negative time as it avoids historical space.
The intervals between past and shadow fabricate space to fixate on;
thus he becomes aware of the Eliminator is looking at the perceptual
intervals" or sees the eyes. Unreality becomes actual intake of the
rupture." The viewer's memory vanishes through the eye whenever the
flashes or traces. Unreality becomes actual and future between past
and solid.
The Eliminator orders negative time as avoids the intake of neon are
"void in so doing at, becomes aware "voids historicate on; thus he
becomes
f the red neon are "voids historical space space to fixate on; thus he
has no surface to fixate on; thus he between past and future." The
viewer doesn't know what George Kubler calls, "the rupture between the
Eliminator. The viewer's memory vanishes the eyes. Unreality becomes
aware "void in so doing at the flashes the rupture becomes aware "void
intake of the Eliminator orders negative time, but loses it. The
Eliminator orders negative time, but loses it avoid intervals between
past and solid.
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